Massimo Vitali's "Beach Series" left Kasafilms HQ in trembles, and tingled the back of our spine. His unique and vivid imagery depicts in full the dissonance of human condition as an individual and as a community.

“the inner conditions and disturbances of normality: its cosmetic fakery, sexual innuendo, commodified leisure, deluded sense of affluence, and rigid conformism", as art historian Whitney Davis states. Using his camera as a tool for social research, Vitali creates striking images that are reminiscent of the historical practice of figurative and landscape painting.